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William Elliott Whitmore

Castle Productions & NTL Productions Presents

William Elliott Whitmore

Adam Lee

Sat, May 4, 2019

Doors: 7:00 pm / Show: 8:00 pm

The Castle Theatre

Bloomington, IL

$17 (Advance) / $18 (Day of Show)

Ticket Prices listed do NOT include additional Ticket Fees added at online checkout & box office

 

William Elliott Whitmore
William Elliott Whitmore
A man armed only with a banjo and a bass drum can be a formidable force, especially if his name is William Elliott Whitmore. With his powerful voice and honest approach, Whitmore comes from the land, growing up on a family farm in Lee County, Iowa. Still living on the same farm today, Whitmore has truly taken the time to discover where his center lies, and from that he will not be moved.

Whitmore has repeatedly carved his own path, honoring the longstanding tradition of folk music throughout his nearly 20 year career, while always allowing his blues, soul and punk rock influences to shine through. Getting his first break opening for his friend's hardcore band with just a banjo in hand, he would discover bands like The Jesus Lizard, Bad Brains, Lungfish and Minutemen and soon learn to play his own brand of rural, roots music with that same DIY ethic.

William Elliott Whitmore has been back and forth across the United States and to cities around the world. He's toured with such diverse acts as Frank Turner, Trampled By Turtles, Clutch and Chris Cornell to name a few. He's appeared on some of the biggest stages around the world including Stagecoach Fest, Byron Bluesfest (Australia) and End of the Road Fest (UK). His willingness to take his show to any playing field has proved invaluable as he turned strangers to diehards with every performance.
Adam Lee
Adam Lee
Adam Lee is restless. “I’ve never been comfortable sitting still,” he notes, in the midst of preparing his debut solo album, ‘Sincerely Me,’ for release August 26th. A varied and engaging collection of songs, the record finds Lee constantly in motion. He criss-crosses genre and influence, always sure of his footing, yet unwilling to remain planted in one spot. Adam Lee is a man moving forward. Moving on. ’Sincerely, Me’ reads like a goodbye note. A farewell to home.

A departure indeed, but that’s something he’s used to. The son of an Air Force officer, Adam Lee spent much of his youth in transit. Music, however, was a constant, and a childhood spent moving state to state, and sometimes country to country, prepared him for a life traveling on the road. “I grew up saying goodbye,” he says, “and it teaches you to appreciate what’s on the horizon.”

Initially writing folk and alt-country, he fronted Kansas City-based Adam Lee & the Dead Horse Sound Company. Their first album ‘Ghostly Fires’ was released in 2008. The band committed to a more traditional country and western sound for their second album, ‘When the Spirits Move Me’ and logged many miles supporting the 2010 release. Lee’s time in the honky tonks paid off; he was nominated for one of Dale Watson’s Ameripolitan Awards and found homes for his country songs in feature films (writer/director Kevin Smith’s Red State and TUSK).

He’d soon found a new home for himself as well — on the Broadway stage. In 2013 he moved to Chicago after being offered a leading role in the Tony Award-winning musical Million Dollar Quartet, under the musical direction of Chuck Mead.

Lee’s wanderlust informed his writing as well, and he soon began crafting songs not tied to a style, but to a feeling. They make up a large portion of the material on ‘Sincerely, Me,’ his first solo album. “I just tried to put the best songs I’d written on the new record, the songs that moved me most, regardless of genre.” In woodshedding the new material he spent much of the past year on the road. He played shows with Frank Turner and Chuck Ragan. He completed his second European tour. He kept writing and soon, he found himself in the open-ended world of Americana.

His mutability is readily apparent throughout ‘Sincerely, Me,’ and he continually plays with genre, style, and influence. ’Sing With Me,’ is a raucous, punk inflected anthem, working to reconcile youthful and rebellious optimism with sobering adult realities. This song leads directly into ‘Patrick’ a fatalistic and tragic tale of two brothers, laid upon a sparse backdrop of Irish-styled fiddle and banjo.

The most country song of the collection, ‘What I Need,’ comes across more tragedy than two step, a deceptively upbeat confessional, uncluttered from all the smoke and neon. Underscored with upright bass and saloon-style piano Lee sings “I’m patient, and I’m thoughtful, and really, really insecure/ but I’ve found ways to make it worse.”

All told, ‘Sincerely, Me’ is a strong and diverse debut, a record reminiscent of a life spent in no one place in particular. Roots-rock songwriter Justin Wells sums up this sentiment. “Somebody’s gonna file this album under Americana, but that's because Adam Lee isn't a genre… it nods at several American musics without knowing the meaning of derivative.” In that context, the album title could be taken a different way. ‘Sincerely, Me’ is Adam Lee at his most honest, his most vulnerable, and ultimately, his most engaged. A restless mind put at ease not by comfort or consistency, but by forward momentum. Adam Lee is heading somewhere, and even if we’re not quite sure of his next stop, we’re happy to come along.
Venue Information:
The Castle Theatre
209 E. Washington St.
Bloomington, IL, 61701
http://www.thecastletheatre.com/