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Dan Hubbard

Annual Full Band Black Wednesday Show

Dan Hubbard

Kayla Brown

Wed, November 21, 2018

Doors: 7:00 pm / Show: 8:00 pm

The Castle Theatre

Bloomington, IL

$12 (Advance) / $15 (Day of Show)

Ticket Prices listed do NOT include additional Ticket Fees added at online checkout & box office

Dan Hubbard
Dan Hubbard
Singer-songwriter Dan Hubbard’s aptly titled new album, Attention, demands just that.
The Illinois native knows his way around a captivating story and a catchy melody, and for the past 15 years he’s been recording albums and putting on at least 125 shows a year, sharing the stage with artists like Martin Sexton, Andrew Combs, and Nikka Costa. From 2008-14, he played with his band the Humadors, and their 2011 release, The Love Show, hit the Roots Rock chart’s Top 50.
In 2016 Hubbard collaborated with Nashville producer and 3-time Grammy Nominee Ken Coomer to release the self-titled solo album Dan Hubbard. “I was truly happy with it,” Hubbard says. “I felt like I finally made the record I had always wanted to, and I wasn’t in any hurry to do another one.” But he had a lot more to say, and the songs on Attention cover everything from lost love and suicide, to brokenness, anger, hatred, and—a running theme in all Hubbard’s work—the redeeming power of love. Hubbard—the youngest of three boys—credits his brother D.J. with inspiring him to write. “My older brother started writing songs, and he was really good. Seeing his talent made me believe I might have it in me too.” he says. At age nine, Hubbard’s other brother, Erik, died from brain cancer when he was just 12. By 15, Dan discovered guitar as an outlet. “lyrics started coming pretty effortlessly as I learned to play guitar,” he says. “The feeling I experienced when I finished a song…I wanted to keep feeling that.” After graduating from Illinois State University, Hubbard knew he wanted to pursue music, and he’s been honing his craft ever since.

Like his earlier work, Attention draws its subjects from Hubbard’s life. “I tend to be a wallflower,” he says. “I just observe, and life never stops giving me material. The subject matter has become more intense with this album. I’m trying to meet people in their deepest, most vulnerable places, and let them know that they’re not alone.” What haven’t changed are Hubbard’s vocals, which alternate between powerful rock and blues shouts to tender inflections. His notes soothe, pulling us into the warmth of the music before his lyrics burn their message on our hearts.

The 11-song collection opens quietly enough with the first verse of “Run Towards the River,” as Hubbard whispers urgently, “Count of three, move your feet, like you never have in your life/One last look at the years he took, now there’s no time left for goodbye/Take a deep breath, watch the trees blow, hand on the handle, it’s time to go.” Barely audible, the lyrics quickly blossom into a warning—“watch for the wicked”—and encouragement—“there will be love waiting for you”—in a tune fueled by propulsive guitars and drums that mimic the desperate need to flee. “This song looks at different abusive relationships, urging the victims to realize what’s happening to them—and to get out,” Hubbard says.
“Poison Words” illustrates Hubbard’s subtle genius by balancing swelling horn choruses with aching steel guitar, subtle gospel piano flourishes, and shimmering roots rock guitars. Hubbard says he wrote the song out of his frustration with the church. “I consider myself a Christian,” he says. “But there are aspects of it that I struggle with.” The song’s chorus repeats “poison words” almost like a prayer, calling into account the church’s treatment of the LGBTQ community.

“Scars” shares the anguish and fear that Hubbard’s family felt when they learned his brother Erik’s illness was terminal. “The day he died wasn’t the worst day,” Hubbard says. “It was the day we found out he was going to die.” “Scars” is the sparsest song on the album, with the tinkling of bells and a haunting steel guitar.
On the flipside, the funky “Ain’t No Fountain” dances around the bankruptcy of our dreams, while “Every Time I See Your Face” delivers a gospel-inflected jazz tune that celebrates the
promise of love. It’s a “song about God disguised to sound like it’s about a significant other,”
Hubbard says cheekily. Attention closes with “80,” a simple soul number that celebrates life,
even in the face of the unknown: “80 years old/Into the unknown/Scared and alone/Still love
rock-n-roll.”
Hubbard’s new album reminds us that he’s been here all along, writing powerful songs that touch our hearts and ask difficult questions about the world we live in. He challenges and reassures us at the same time, the hallmark of a great songwriter. “We’re all struggling. I get it because I’m in this, too,” he says. “I just want to make people reflect.”
When we pay Attention, Dan Hubbard gets us to smile, cry, and think deeply about our shared
human experience.
Kayla Brown
Kayla Brown
Kayla Brown was inspired and shaped by her musical midwestern hometown of Champaign-Urbana, Illinois. Her unique voice provides for an enchantingly soulful approach to her take on folk and indie music. She has been touring and performing locally, regionally, and nationally with various projects since 1998 in venues that range from coffee shops and bars to festivals and even Wrigley Field for the National Anthem in 2011. Currently, she is the frontwoman for Champaign, Illinois based indie rock quartet We The Animals (Mud Records/Parasol Label Group), is half of Champaign, Illinois based indie/folk duo Dearie, and also continues her adventures as a solo artist, currently touring and working on a 2018 release for all three projects.
Venue Information:
The Castle Theatre
209 E. Washington St.
Bloomington, IL, 61701
http://www.thecastletheatre.com/